Zhuanxu Xu • 許顓頊 (they/them)

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  • Books for Sex/Gender Studies and Queer Theory (Update required)
  • Books for Art (Update required)
  • Philosophical Texts (Update required)
  • Academic Translation 学术翻译
  • “Continuum, Continua, Continuity“ (photographic-images-projects)
    • Being-with, 2015-2020 (Continuing)
    • Intimacy and Mutable Contingency, 2017-2018
    • Where Does This Way Lead To? Unknown?, 2016-2017 (Temporarily suspended)
  • Projects
    • One Narrow and Flimsy Grasp, 2019-2020
    • Eroticism, Obscenity, Indecency: Do We Need a ‘Categorical Definition’ of Pornography?, 2019
    • Caring Labour: The Depression in the Private Sphere, 2019
    • Public Sphere and Norms, 2019
    • Identity and Symbolic Order, 2018
    • The Silence (One-Dimensional Person), 2018
    • Individuals, Community, 2017
  • Really Old Writings
    • #1. How does Judith Butler’s concept of gender performativity help to comprehend Paul McCarthy’s video-performance? A brief critique of Paul McCarthy’s Sailor ’s Meat, Sailor ’s Delight (1975)
    • #2. Understanding the Butlerian Notion of Performativity
    • #3. Notes Toward Identity Politics
    • #4. Thoughts on Kiss My Genders: a Deficiency of Radicalness
  • Fashion
    • .08zine 2020 Volume 1 Lookbook
    • Huidi Zhan LCF MA19 Backstage
    • Deepmoss FW17 Backstage
    • WMWM FW17 Backstage
    • Junwei Lin FW17 Backstage
    • Junwei Lin SS17 Backstage
    • Anno Mundi FW16 Campaign
  • Curriculum Vitae
    • CV
One Narrow and Flimsy Grasp, 2019-2020
.08zine 2020 Volume 1 Lookbook
Eroticism, Obscenity, Indecency: Do We Need a ‘Categorical Definition’ of Pornography?, 2019
Public Sphere and Norms, 2019
Caring Labour: The Depression in the Private Sphere, 2019
Identity and Symbolic Order, 2018
Intimacy and Mutable Contingency, 2017-2018
Huidi Zhan LCF MA19 Backstage
The Silence (One-Dimensional Person), 2018
Being-with, 2015-2020 (Continuing)
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